Published in “The Aesthetics of Imperfection in Music and the Arts”, Bloomsbury, edited by Andy Hamilton and Lara Pearson.
Contemporary Music Theory and Composition: Composing a Theory
presented at the University of Ottawa, January 25, 2002, Association of Women Composers Conference
“What is the relationship of music theory to composition? And how does my understanding of contemporary music theory affect my work as a composer?”
On Listening: A Lecture
Glenn Gould Symposium, Toronto
September 23, 1992
Extremes Within Limits
Vancouver New Music Festival
Vancouver, June 8, 1996
Composing Identity: What is a woman composer?
University of Victoria
November 1, 1997