Works available from the Canadian Music Centre are specified by cmc;those from Composers Edition, ce. All others can be obtained from the composer. |
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Opera | |||||
2001 | Facing South | mezzo, tenor, baritone, bass-baritone, chamber orchestra | Tapestry New Opera | 75′ | cmc |
Orchestra | |||||
2016 | Sinfonia | Baroque strings (432210) | 10′ | ||
2016 | Orient Point | string orchestra (33332) | 10′ | ||
2014 | Adagietto | 2222 2220 timp perc strings | 8′ | cmc | |
2010 | Gold Leaf | 1111 1110 perc pn 2111 | Glenn Gould School | 15′ | cmc |
2009 | Cut Flowers | 1111 1110 perc pn 2111 soprano | Turning Point Ensemble | 25′ | |
2006 | Burnt Umber | 2222 2221 2 timp perc strings | Windsor Symphony | 12′ | cmc |
2005 | Wilderness | 2222 2221 hp timp perc 76443 | 9′ | cmc | |
2000 | Les fleurs anciennes | 13 strings (43321) | Vancouver New Music | 10′ | cmc |
2098 | Bloom | string orchestra and harpsichord | Pacific Baroque Orchestra | 10′ | cmc |
2095 | Memory Forms | 2222 2020 vb pn 87642 | 18′ | cmc | |
2094 | Orchestral Tuning Arrangement | any orchestra | created in collaboration with John Oswald | 5′ | cmc |
2080 | Link | orchestra | 15′ | ||
Chamber Music (see also “strings” and “Baroque Instruments) | |||||
2014 | Piano Quintet | piano quintet | 10′ | ||
2013 | Brocade | harpsichord and piano | rocKeys duo | 9.5′ | |
Cantilena | viola and vibraphone | 11′ | ce | ||
2012 | Sleeping Lady | harpsichord | 10′ | ||
1998 | New Topology | recorder, accordion, tuba, piano, percussion | 7.5′ | ||
2010 | Stare at the River | cl, tp, pn, 2 pc, vl, db | Arraymusic | 12′ | cmc |
Far From Shore | piano trio | Trio Fibonacci | 14′ | ce | |
Light and Water | vc, vb | 5′ | |||
2009 | Wanderer | cl, vl, vc, pn, pc | California Ear Unit | 15′ | |
Drifter | el gtr, pn | Bradyworks | 20′ | ce | |
2008 | In the High Branches | Gamelan, string quartet | Evergreen Club and SuperNova | 9′ | cmc |
2007 | Velvet | 2 pianos | Elaine Lau and Joseph Ferretti | 12.5′ | ce |
1998 | Morning Glory | fl, cl, pn, pc, vl, vc | Edmonton Composers Concert Society | 10′ | ce |
2006 | Dirt Road | violin and percussion | 54′ | cmc | |
2005 | Ballad | cello and piano | Andrew Smith and Eve Egoyan | 45′ | cmc |
Blue Sky | percussion quintet | Nexus | 15′ | cmc | |
2004 | Garland | Baroque fl, hpschd, string quartet | Tafelmusik | 7′ | cmc |
Brush Line | fl, cl, pn, pc, vl, vc, mezzo-soprano | Continuum | 15′ | cmc | |
Forest | 9 violins | 20’ | |||
To The Horizon | tenor, violin, 2 perc and piano | Ensemble Kore, | 18′ | ||
2003 | Vine | 2 fl, cl, pno, perc, hp, vln, vc | Ergo | 15′ | |
2001 | Ribbon | piano trio | The Duke Trio | 11′ | |
2000 | Path of uneven stones | SMCQ, | 15′ | ||
1999 | Knotted Silk | cl, trpt, 2 perc, piano, vln , db | Arraymusic | 5′ | |
Moi Qui Tremblais | fl, cl, hpschd, pc, vl, vc | Continuum | 5′ | ||
1998 | Among the Tarnished Stars | clarinet, violin, cello and piano | The Burdocks | 22′ | |
A Light Snow | Evergreen Club Gamelan | 12′ | |||
1997 | With Their Shadows Long | pro, vln | Marc Sabat And Stephen Clarke | 13′ | |
1996 | Glaze | VNMS | 3′ | ||
Hemstitch | wind quintet | Fifth Species | 10′ | ||
1994 | Going Downstairs | 2 Altos, tenor, bari saxophones | 14′ | ||
Though the Low Hills | pn, vc | for Andrew Smith | 8′ | ||
1993 | Topology | recorders (1 player), tb, acc, vb, pn | Arcana | 11′ | |
The Disposition of the Forms in Space | baroque flute, baroque viola, vibes | Strange Companions | 10′ | cmc | |
1991 | Morandi | 2 pianos and 2 vibraphones | New Art Quartet | 12′ | cmc |
Rocamadour | percussion, bass clarinet, and string trio | Vancouver New Music | 10′ | ||
Passacaglia | clarinet, trumpet, 2 percussion, piano, double bass | Arraymusic | 3′ | ||
Oblivion Nocturne | cl, vl, bn, vb, el piano, piano | Sound Pressure | 10′ | ||
Diagonal Forms | clarinet, trumpet, 2 percussion, piano, double bass | Arraymusic | 11′ | ||
1987 | Machinery | bass recorder, melodica, tenor banjo, harp, perc, violin, double bass | 9′ | ||
1985 | Little Venice | clarinet, vibraphone, piano, violin, viola, cello, double bass | Arraymusic | 12′ | cmc |
1980 | Scroll | flute, saxophone, vibraphone, piano, violin, cello | 10′ | ||
1979 | Periphery | flute, sax, trumpet, vibes, marimba, chimes, piano, violin, cello, double bass | 10′ | ||
Strings | |||||
2016 | Orient Point | string orchestra 33332 | 10′ | ||
2013 | String Quartet #6 | Penderecki Quartet | 10′ | ||
2011 | Sextet | string sextet (2vln, 2 vla, 2 vc) | Via Salzburg | 12′ | |
2008 | Waterlily | string quartet #5 | 3′ | ||
2006 | string quartet #4 | string quartet #4 | Del Sol String Quartet | 12′ | |
1997 | Folkstone | string quartet #3 | 30′ | ||
1991 | As you pass a reflective surface | string quartet #2 | 5′ | cmc | |
1986 | Flowers of Emptiness | string trio | Armin strings | 9′ | cmc |
1980 | Clay | string quartet #1 | 8′ | ||
Baroque Instruments | |||||
2016 | Sinfonia | 43221 string orchestra | 10′ | ||
2015 | Ricercar | Baroque cello | 11′ | ||
2014 | Brocade | harpsichord and piano | 9’30” | ||
2012 | Rose with Thorns | violin and harpsichord | 8′ | ||
Sleeping Lady | harpsichord solo | 10′ | |||
2003 | Garland | Baroque flute, harpsichord, and string quartet | Tafelmusik | 6′ | |
1998 | Bloom | string orchestra | Pacific Baroque Orchestra | 14′ | |
1988 | Versailles | baroque flute, baroque violin, viola da gamba, harpsichord |
Les Coucous Bénévoles | 10′ | cmc |
1988 | Gravity | solo harpsichord | Colin Tilney | 15′ | cmc |
1983 | La Celine | solo baroque flute | Elissa Poole | 7′ | |
1982 | Grey Broken | soprano, baroque flute and harpsichord, with text extracted from the novel Passacaille by Robert Pinget, (in translation by Barbara Wright) with permission from the author and translator | 12′ | ||
Vocal Music | |||||
2017 | Uncertain | 8 voices | Exaudi | 10′ | |
2011 | In Black Ink | mezzo-soprano and piano | 8′ | ||
2008 | Wayfarer | 3 pieces for choir (satb) (includes “Her Harbour”) | 11′ | ||
2003 | Her Harbour | 6 voice choir | Hexaphone | 5′ | |
To the Horizon | tenor, violin, 2 perc and piano | Ensemble Kore | 18′ | ||
Brushline | fl, cl, vl, vc, pn, perc, mezzo-sop | Contiinuum | 15′ | ||
1998 | Hieroglyphs | soprano, 2 violins, cello and vibraphone | The Banff Centre | 24′ | |
1995 | Nostalgia | soprano and piano | Richard Armstrong | 5′ | |
1994 | Burning Star | mezzo-soprano, flute,Bb clarinet, viola, cello, piano | withdrawn | ||
1989 | Gold Sandals | 3 sopranos and piano | Music at Sharon | 6′ | cmc |
1987 | Infinity | soprano, clarinet and piano | 11′ | cmc | |
Piano Solo | |||||
2013 | Nocturnes and Chorales | 25′ | |||
2007 | Thought and Desire | with optional singing part, | 6′ | ||
2001 | The Underfolding | Stephen Clarke | 18′ | ||
2000 | For Udo Kasemets | ||||
1996 | Bloom | 1’45” | cmc | ||
1995 | A Nocturne | Eve Egoyan | 12 | ||
1994 | Poire | John Tilbury | |||
1993 | Consolation | 4′ | |||
1992 | The View From Here | 6′ | cmc | ||
1991 | Iceberg | Barb Pritchard | 1′ | ||
Music for John Cage | 4′ | ||||
1989 | Zart | Anthony de Mare | 9′ | cmc | |
Instrumental Solos | |||||
2018 | Blackwing | clarinet | 4’35” | ||
Small Hoiuse | accordion | 9′ | |||
2016 | Clouds | vibraphone | Richard Sacks | 9′ | |
2011 | Galanthus (snowdrop) | violin | 5′ | ||
2007 | Magnolia | flute | Alison Melville | 5′ | |
2002 | Low Tide | accordion | Joseph Petric | cmc | |
2000 | Dust | hackbrett (German cymbalom) | Richard Moore | 6′ | |
1990 | Nine Memos | bass clarinet | Robert Stevenson | 15′ | |
1982 | Invisible Cities | vibraphone | Richard Sacks | 10′ | |
1980 | Silhgouette | cornet, transcribed for bassoon by Rudoph Komorous 1996 | 6′ |